Along with their weird giant birds, the islands of New Caledonia were also home to a small crocodilian unlike any alive today.
It was one of the last known members of a lineage of crocodiles known as the mekosuchines, which originated in Australia during the early Eocene about 50 million years ago and later island-hopped out into the South Pacific — mostly around the Coral Sea, but with some making it as far as New Zealand. By the start of the Holocene, about 12,000 years ago, they’d already declined and disappeared from the vast majority of their range, with only a few isolated island species remaining.
Named Mekosuchus inexpectatus, the New Caledonian mekosuchine was only about 2m long (6'6"), just slightly bigger than the modern dwarf crocodile. It was much more terrestrial than living crocs, spending most of its time on land, and it had teeth in the back of its jaws that were specialized for crushing, suggesting it mainly preyed on hard-shelled invertebrates such as snails and crabs.
Based on its limb anatomy it may also have been able to climb trees. Although this idea was ridiculed when it was originally suggested back in the 1990s, a more recent discovery has shown that modern crocs can actually climb trees too.
Like with many other Holocene island species, the extinction of Mekosuchus inexpectatus seems to be directly linked to the arrival of humans, who reached New Caledonia around 1500 BCE.
Bones in archaeological kitchen waste sites show that the settlers actively hunted and ate Mekosuchus, but dating of the last known remains is uncertain. The most generous estimate is actually as recent as about 300 CE, so much like Sylviornis these small land crocs may have persisted for some time before finally going extinct.
Researchers discovered that when carbonate skeletons were first evolving more than 500 million years ago, diverse groups of animals all converged on a similar, counterintuitive process for biomineralization.
Concept: an apocalyptic or post apocalyptic tv show centred on a group of disabled protagonists
Must include:
-enough details about how they survive that no one can call it “unrealistic”
-mental and physical disabilities
-a character who isn’t necessarily contributing to the survival of the group, but is not abandoned or looked down upon
-at least one character whose disability is actually less of a problem for them now that the world is ending/ended (example: autistic character who used to be constantly overstimulated but no longer is)
Optional features:
-abled person says “the only disability in life is a bad attitude” and gets told where to stuff it
-character who abled people think isn’t worth helping because of their disability, but actually has at least one skill essential to the survival of the group
-every time an abled person says something ignorant, all present disabled people look into the camera like they’re on the office
- character who only survived the initial apocalyptic event because they had an assistive device which just so happened in that one circumstance to give them an advantage over everyone else
-the abled camp wearing rags and eating meat on sticks cooked over a crude fire. pans over to our heroes and they have perfect clothes, a variety of food and also music.
“what? how did you do that?” “well, jane’s special interest is the medieval production of cloth and, like 8 of us can sew. Turns out those of us who can’t go out much develop a LOT of hobbies.”
A character who scares everyone when a zombie bites them but literally every one of their limbs are amputated.
“They…. they bit Gina.”
*Gina pulls of prosthetic arm* “It’s ok guys! They just got my decoy.”
Fantasy books written by women are often assumed to be young adult, even when those books are written for adults, marketed to adults, and published by adult SFF imprints. And this happens even more frequently to women of color.
This topic’s an ongoing conversation on book Twitter, and I thought it might be worth sharing with Tumblr. And by “ongoing,” I mean that people have been talking about this for years. Last year, there was a big blow up when the author R.F. Kuang said publicly that her bookThe Poppy Warisn’t young adult and that she wished people would stop calling it such. If you’ve read The Poppy War, then you’ll know it’s grimdark fantasy along lines of Game of Thrones… and yet people constantly refer to The Poppy War as young adult – which is one of its popular shelves on Goodreads. To be fair, more people have shelved it as “adult,” but why is anyone shelving it as “young adult” in the first place? Game of Thrones is not at all treated this way…
Rebecca Roanhorse’s book Trail of Lightning, an urban fantasy with a Dinétah (Navajo) protagonist has “young adult” as its fifth most popular Goodreads shelf. The novel is adult and published by Saga, an adult SFF imprint.
S.A. Chakraborty’s adult fantasy novelCity of Brasshas “young adult” as its fourth most popular Goodreads shelf.
Tasha Suri’s Empire of Sand,an adult fantasy in a world based on Mughal India, has about equal numbers of people shelving it as “adult” or “young adult.”
Book Riot wrote an article on this, although they didn’t address how the problem intersects with race. I also did a Twitter thread a while back where I cited these examples and some more as well.
The topic of diversity in adult SFF is important to me, partly because we need to stop mislabeling the women of color who write it, and also because there’s a lot there that isn’t acknowledged! Besides, sometimes it’s good to see that your stories don’t just end the moment you leave high school and that adults can still have vibrant and interesting futures worth reading about. I feel like this is especially important with queer rep, for a number of reasons.
Other books and authors in the tweets I screenshot include:
TLDR: Women who write adult fantasy, especially women of color, are presumed to be writing young adult, which is problematic in that it internalizes diversity, dismisses the need and presence of diversity in adult fantasy, and plays into sexist assumptions of women writers.
Never forget the amount of hate R.F. Kuang got for explicitly stating that The Poppy War, one of the most triggering books I’ve ever read, should never be shelved as YA. She did so out of extreme concern of the content getting into the wrong hands without warning.
And then two days later Jay Kristoff said the same thing about Nevernight…and nothing happened.
Remember when we all had NOTPs that we just chose to ignore instead of going to the ship’s tag and bombarding it with garbage and attacking the shippers for the apparently inexcusable offense of liking something we don’t? Can we go back to that time?
This might be a controversial take to some of you but here it goes–
Any narrative of ‘capitalists’/’ruling class’ being reptiles or aliens or otherwise inhuman beings, pretending to be human, hiding in plain sight, controlling things from behind the scenes, being greedy and parasitic, to be identified and exterminated– it’s antisemitic. It just is.
It is even when the speaker genuinely isn’t thinking about Jewish people. It is even when the speaker is leftist. It is a trope that is used to manipulate working class and oppressed people into being susceptible to more overt antisemitic narratives, and it’s been successful for a very long time.
If you can convince people that capitalists are a small group of inherently inhuman other that are controlling everyone behind the scenes, the work of revolution is so simple! Just kill them all and suddenly everything will start whirring away unimpeded. We don’t need to figure out how to structure a new society to provide for everyone’s needs. We don’t need to go through the work of truly understanding and dismantling systems of oppression to ensure that those with influence won’t later enact their own systems of control after the revolution. We don’t need to think about how the structure of capitalism operates outside of its individual players. We don’t need to figure out when and how to use restorative justice systems. We just need to identify the inhuman parasites and exterminate them.
Do you see how easy it is, once someone has accepted all of the above, to simply lead them the small step to “identifying” these parasites as Jewish people? You have a whole puzzle in front of you with only a few pieces missing. If you already believe that killing a particular other to purify the world and restore it to the way it should be is what the revolution consists of, then you’re basically a stone’s throw away from nazism.
There’s a reason why it’s called “the socialism of fools.”
Capitalists are human beings, and we need to overthrow the system of capitalism and hold individuals accountable for their actions and atrocities. They aren’t a separate species that is inherently evil and subhuman. Our problems won’t be solved by a one-time mass slaughter. The “revolution” is not just killing people. We actually have to put in the work to build the world we want, and continuously put in the work to maintain structures of equity and accountability and restorative justice, forever.
Leftists cannot let our snappy meme-leftism lead people down this path of dangerous analysis. We need to remember that leftists are not the only ones planning anti-capitalist revolution– fascists are too, and you need to be extremely careful that you’re not helping them recruit or we are completely fucked (and I don’t just mean Jewish people).
As publishers struggle with the continuing shake-up of their business
models, and work to find practical approaches to managing digital
content in a marketplace overwhelmingly dominated by Amazon, libraries are being portrayed as a problem, not a solution. Libraries agree there’s a problem – but we know it’s not us.
Publishers are fighting hard for “one purchase = one reader.” They’ve been trying to set that up for over 100 years, starting with placing text in books that said,
“The price of this book at retail is $1 net. No dealer is licensed to sell it at a lower price, and a sale at a lower price will be treated as an infringement of the copyright.”
There’s a lot of legal hassles over whether software and digital purchases are covered by the first sale doctrine (and sometimes the courts ruled that they are, which is why Adobe and Microsoft no longer sell permanent copies but have annual licenses for everything). The same law covers loaning out a book you own - so publishing houses are trying to prevent libraries from loaning books, or from loaning them more than a few times.
They can’t stop loaning of physical books, so they’re putting usage restrictions and license fees on digital ones.
The end result may be “library doesn’t have loaner ebooks; it has loaner Kindles and Nooks with a whole bunch of books loaded on them at once.”
hey guys! here’s some fun things i learned from this article about Dion Diamond:
he did these sit-ins by himself. like idk about you, but i always thought of sit-ins as organized by groups, what kind of bravery does it take, man
he didn’t tell anyone about it, like he was no glory-seeker about this. his parents didn’t even know until reporters started calling them up like “hey, did you know your son is in jail?
when someone called the cops he’d skedaddle out the back door although he was sent to prison multiple times
the last time he got arrested was in Baton Rouge, and the cops were so sick of him that they told inmates they’d put in a good word for anyone who gave Diamond a hard time. (the inmates didn’t take the bait.)
Don’t know if anyone has mentioned it before but a suitable replacement ishttps://y23.tech/ And it has:
No ads
Playlist Downloads
Has mp3 and wav
Can also download video
A tumblr user made it a few years ago and it still works just as well. This is her patreon if you wanna give her support!
and that tumblr user is @e-seal! i’ve used her converter to download everything from mongolian folk songs to 20 minute power metal ballads. she’s great! and deserves your support
Hi! I’m writing a character who, at one point in the story, is tortured by having hot oil dripped into his right eye (which was previously scarred but not a whole lot). How might that physically and mentally effect him, realistically? Thanks!
Well it would cook his eye. I know that’s not the technical medical term but that’s effectively what you’re talking about. Denaturing the protein structure with heat until it can no longer function as it did originally.
He’d lose the sight in that eye, as a minimum. He’d probably have severe burns all around that side of his face.
So far as I know this has never been a common torture and I can give you an educated guess why. Dripping very hot oil on to anything is a hazardous activity. When the character is trying to drip hot oil on to a person, who will be struggling and lashing out even if he’s restrained, the chances of spilling that oil increase. Also oils are flammable.
Essentially I think that doing it like this dramatically increases the chances of the torturer either burning themselves or outright setting themselves on fire.
Which, don’t get me wrong, I would love to see you write that. Because I don’t think there are enough portrayals of torture backfiring on the torturer.
If you don’t feel that fits with your story I will be slightly disappointed at the loss of burny fail torturer I’d suggest using the methods torturers did historically. In India they would blind people by inserting a heated needle into the eye. You could also use a more general burning torture and have the character target that eye. A piece of heated metal held against the area was the most common method globally. It wasn’t commonly used to blind or targetted at the eyes but it would give you the effect you’re after.
Getting back to the victim character-
I am not a medic or a burns expert so I’d recommend doing your own research on facial burns. With the kinds of severe burns you’re suggesting there’s a significant infection risk.
There’s a lot of scar tissue, and this shrinks the skin. Around the face and neck this can have a very detrimental effect. If the burn covers large areas of the neck it can restrict breathing. If it goes over the mouth it can restrict movement there, effecting speech and the ability to eat.
I would generally suggest avoiding the neck area if you’re giving your character burns or scars. Realistically speaking the risk of death from serious complications afterwards is very high.
I think that if the character is lucky and the angle of the oil is right he could avoid large scale burns to his neck in your original scenario.
If you do stick with the oil idea think about where the oil will drip after it’s come off the character’s eye. Think about where it will flow.
That’s the limit of my knowledge when it comes to the physical effects.
Survivors don’t tend to experience everything on the list. The list is more- what’s possible. What an individual survivor actually ends up developing isn’t something we can predict or control though. We don’t know why some people get some symptoms and others get different symptoms.
Because we can’t predict symptoms I suggest approaching the problem as a writer and picking somewhere between 3-5 symptoms from the list that you feel fit the story best.
If you can use a symptom to create interesting obstacles and problems for the character that’s a good pick. Symptoms that fit with the theme of the story or give you chances to show the readers more about the character as a person are also good picks.
Chronic pain is more likely with severe burns. I don’t know enough about burns to say more then that though.
Torture that causes big obvious scars and obvious disabling injuries like these are rare nowadays. There has been some discussion about the difference that makes but be aware that I have less sources from survivors who were left scarred and obviously disabled.
Survivors often have a lot of intense feelings about their scars. Scarred survivors can report feeling that their scars are more obvious then they are, that they’re often being stared at and that it’s easy for people to ‘tell’ what they survived by looking at them.
I particularly remember hearing an interview with a survivor who had undergone plastic surgery to ‘correct’ a- facial scar I couldn’t even see in his ‘before’ photos. After he’d healed he reported great dissatisfaction with his surgery. He could still see the scar. I still couldn’t.
Feelings of shame and anger surrounding scars appear to be common. These are also really prominent when injuries cause a physical disability.
These feelings can be tied to internalised ableism but I think it’s important to acknowledge that there’s more going on here. Survivors struggle to find and keep jobs any way. Trying to support themselves and their families when they’ve got a disability they don’t know how to navigate yet, which serves as a physical reminder of what they experienced- it’s a big ask.
However- there’s an argument that when it comes to social reintegration people with obvious scars and disabling injuries have an advantage now over people who don’t.
This is because there are major problems today with survivors being barred from accessing help or services. It’s also because a lack of obvious scars is sometimes used to create doubt within a survivor’s community, to suggest that victims were not ‘really’ tortured.
Having obvious scars is suggested to reduce rejection by the community, lead to better access to medical care and more charitable support.
This was not necessarily the case historically. A lot of historical cultures used scarring tortures with the intent of making it ‘obvious’ a survivor had been convicted of a crime. If that’s your setting then there’s unlikely to be much of an advantage to having scars.
Unless you’re writing a story with significant resistance to the group that tortured this character. Opposing groups might take obvious signs of torture as a sort of- badge of honour, a way of identifying that this person is a fellow opposition member. This functions in a similar way to the idea of a community seeing scars and taking that as a sign the character has suffered ‘for’ them, hence lending all possible assistance.
Social rejection of acceptance has a profound effect on a survivor’s chance of recovery. People need communal support in order to lead full, happy lives with their symptoms.
I think I’ll end this by stressing that torture survivors can have happy, fulfilling lives afterwards. Symptoms don’t vanish, but people do learn to live with them.
Used to be the place where I preview my fanfiction but it's now mostly Mons, Kaiju, magical girls, and merchandise driven shows whose toys I haven't the slightest desire to buy. Oh, and also social justice stuff. I try to tag the potentially triggering stuff as best as I could.
I'm also in charge of http://ask-anguirus.tumblr.com/